Julie Powell is a photographer, writer and educator, offers unique photographic opportunities and inspirational ideas to help YOU become the photographer you wish to be.
All in Reviews
Capture One LIVE feature is fabulous for all sorts of shoots; portraits, products and more. Shoot. Share. Collaborate.
Using styles in Capture One to achieve certain looks can be a real-time saver by adding a cohesive element to your editing workflow.
Up until a few months ago, I had never used a culling program before. Then I heard about Aftershoot, I ran the trial software for while and instantly fell in love with it. Now I have the Professional version and I doubt I will ever look back. It truly is the best way to supercharge your workflow for fast pre-processing and culling of your images.
I’ve been using Capture One 22 in the studio for a few months now. The ease of live tethering and the Overlay tool are just a couple of the main reasons. I’ve just discovered another one — Capture One Live.
There are a few features in Capture One 22 that get me excited in the studio. One is live tethering with my Sony camera, another is the Live feature (more on that in another post), but the Overlay tool is one that truly gets my creative brain super excited. Let me run you through it.
A beautiful backdrop can make or break a studio shoot. I discovered Kate Backdrops. So beautiful, so versatile and so easy to look after.
I was recently asked to put the Tamron 28-200mm f/2.8-5.6 lens through its paces. I already have the 28-75mm and the 70-300mm, which are both terrific lenses, so I was looking forward to trying this versatile lens on a recent trip away.
I was recently asked to put the Tamron 17-28mm f/2.8 lens through its paces. Already owning the Tamron 28-75mm and the 70-300mm, both are terrific lenses, so I was looking forward to trying this versatile lens on a recent trip away.
One of the biggest dilemmas with travel is what lenses — and how many — to take. Have you been seeking the perfect travel lenses for Sony full-frame cameras? Then perhaps these Tamron lenses could be for you.
Is it possible to recover sharp focus in images? When there is a more camera blur or are a softer than you would like? Try Sharpen AI.
I recently did a creative portrait shoot with Little Red Riding Hood on location in a forest. It very was dark and very gloomy, which made for challenging shooting. I was using the fastest lens I had to shoot in this dark environment and overall I was pretty happy with most of the shots.
And when you crop into an image to any significant amount you lose a LOT of detail. Well, the clever people at Topaz Labs have largely solved that problem
When it comes to portraits, what’s the best focal length to use? That’s a great question, so I set out to test this for myself. So I decided to have a little bit of a length comparison. In part one, I tried a mid-range close up shot. In this article, I am going to stand further away and get a full-body portrait.
When it comes to portraits, what’s the best focal length to use? That’s a great question, some swear by a 50mm, some by an 85mm. So I decided to have a little bit of a length comparison.
I recently was given access to a Beta copy of the soon to be released LuminarAI to review, I was just a little bit excited to see what changes they had made and just how well the Portrait Tools section would work.
I was recently asked to review the soon to be released Tamron A047 for my Sony A7Riii, being a fan of the Tamron range I jumped at the chance. The A047 is the smallest, most compact and lightweight telephoto zoom lens, currently on the market.
When I first switched over to my Sony system, I had a basic kit lens which I bought with it. It was great, but had a variable f/3.5-5.6 aperture. I wanted something that would do f/2.8 without breaking the bank.
It’s been a little while, but I have just released a new range of Lightroom Presets…Sweet Hydrangea Collection.
I recently did a brief overview of my first time playing with Boris FX Optics, and I must say it was rather difficult to fit everything into a short 15 minute video. So I thought I might come back with a bit more of a breakdown. This time I want to show you the parameter settings available for the presets.
I was recently asked to review Boris FX Optics software. I had never heard of Boris FX before — they’re mainly in the video space, making visual effects and video software, which looks pretty cool. They have been in the film industry for over 20 years.
